Ivan Agueli (ursprungligen John Gustaf Agelii tog sig senare i livet namnet Abd Al-Hadi Aqhili), född 24 maj 1869 i Sala, Västmanlands län, död i en tågolycka den 1 oktober 1917 i Barcelona, Katalonien, Spanien, var en svensk målare, religionsfilosof och orientalist. Agueli blev med sitt nydanande måleri en av den svenska konstens förgrundsgestalter. Enbart genom noggrant avvägda färgtoner framkallade han en känsla av avstånd och ljus i sina målningar, som trots det intima formatet äger en stor monumentalitet. Agueli hade en tämligen välbärgad uppväxt. Hans far, stallmästaren och veterinären Johan Gabriel Agelii (f.1821 i Farstorp, Kristianstads län - d. 22 december 1896)² var dock en sträng man vars relation till sonen skulle bli dålig hela livet. Modern Anna Stina Nyberg (f.1838 i Vika, Kopparbergs län) var en varm människa som kompenserade det kärlekslösa förhållandet till fadern. Efter flera misslyckade försök till studier under åren 1879-1886 i Sala, Västerås, Falun och Stockholm, sändes Agueli till Visby av fadern 1886. Han blev där uppmärksammad för sin konstnärlighet, och började umgås med Richard Bergh och Karl Nordström.  Related Paintings of ivan agueli :. | European city landscape, street landsacpe, construction, frontstore, building and architecture.211 | Une rue de Caire | Madonna in Glory with Seraphim | Battle Against the Turks | flicka med parlorbange |
Related Artists:
Nicolas Tournier
(baptised 12 July 1590 - d. before February 1639) was a French Baroque painter. Born in Montbeliard, he followed the profession of his father, Andre Tournier, "a Protestant painter from Besançon". Little is known of his life before his arrival in Rome, where he worked between 1619 and 1626, and where he was influenced by the work of Caravaggio. According to one early source, he was a pupil of Valentin de Boulogne.Tournier's Roman paintings are stylistically close to the works of Bartolomeo Manfredi. He painted both secular and religious subjects; an example of the latter is The Crucifixion with St. Vincent de Paul (Paris, The Louvre). After 1626 Tournier was active in southern France. He died in Toulouse. His work The Carrying of the Cross, painted around 1632, originally hung in the Toulouse chapel of the Company of the Black Penitents. During the French Revolution it was confiscated by the state and moved to a museum, from where it was stolen in 1818. After being lost for nearly two centuries, it reappeared in 2009 during an art collector's estate sale in Florence; when the Weiss Gallery of London purchased it in a Paris auction in 2011, the French government classified it as stolen property and banned it from leaving the country.
Max, Gabriel Cornelius von
Czechoslovakian, 1840-1915 Painter, illustrator and teacher, nephew of (1) Emanuel Max. He studied at the Academy of Fine Arts, Prague (1855-8), and the Akademie der Bildenden K?nste, Vienna (1858-61), and under Karl Theodor von Piloty at the Akademie der Bildenden K?nste, Munich (1863/4-7). He settled in Munich, where he opened a private school of painting in 1869. His paintings and book illustrations of the second half of the 1860s show an affinity with the late Romanticist movement. He illustrated works of German literature by Wieland, Lenau and Schiller, as well as producing illustrations for Goethe's Faust (1867-8; Prague, N.G., Kinsky Palace). As well as literary and even musical sources, religious themes frequently occur in his work, including his first great success, the Crucifixion of St Julie (1867; ex-Sotheby's, London, 1976). In numerous female figures and portraits Max explored the tension between the inner state and the charm of the physical appearance or surroundings of his subjects. His interest in the artistic perception of relationships between physical reality and the spiritual world led him to a study of anthropology and contemporary occultism and mysticism, as in his portraits of the Seer of Prevorst
Elisabeth Louise Viegg-Le Brun
Paris 1755-1842